Sunderdala is a piece for wind orchestra premiered by Göteborg Wind Orchestra at Haga Concert Hall in Gothenburg.

The piece is a war between two forces - imagination and reality. The active pointillistic elements, which I partially perceive as the unexpected "brat guy," represents the imagination. Meanwhile, the ongoing transformative sounds, (the train), embody an undesired force of gravity around us. This portrays the frustration of that reality is like a compact, static entity (like a train), continuously progressing without sensitivity to when it's its turn or asking the imagination when to enter. The exaggerated panting and the white cloth serve as theatrical elements, acting as a bridge between the two mental states (imagination and reality). They function both as comical elements and as a visual representation of destruction. The two mental states, my two realities, increasingly interact. They are no longer warring forces but converge into an existence of understanding that destruction can never be undone.